1. HAIKU POEM
2. CONTRAST POEM
3.TURN-AROUND POEM
4.SHORT STORY
Wednesday, 11 September 2013
III. CONTEMPORARY FILIPINO AWTHOR
REGION I- ILOCOS
1.Virgillo R. Santos
2.Tita Lacambra Ayala
3.Andress Cristobal Cruz
4.Guillermo Castillo
5.
6.
7.
8.
9.
10.
REGION II -CAGAYAN VALLEY
1.Ines Taccad Cammayo
2.Fernando M. Maramag
3.Leona Florentino
4.Prof. Carolina A. Arceo
5.
6.
7.
8.
9.
10.
REGION III- CENTRAL LUZON
1.Francisco B. Icasiano
2.Angela Manalang Gloria
3.Rony V. Dias
4.Maximo D. Ramos
5.
6.
7.
8.
9.
10.
REGION IV- SOUTHERN TAGALOG
1.Pas Marquez Benitez
2.Pas M. Latorena
3.Maximo K. Kalaw
4. Horacio Dela costa s.S
5.N.V.M. Gonzales
6.
7.
8.
9.
10.
REGION V-BICOL
1.Luis G. Dato
2.Venancio Prietoziga
3.
4.
5.
6.
7.
8.
9.
10.
REGION VI-WESTERN VISAYAS
1.Dominador I. Illio
2.Morli Dharam
3.Antonio S. Gabila
4.
5.
6.
7.
8.
9.
10.
REGION VII-CENTRAL VISAYAS
1.Edith L. Tiempo
2.Renato E. Madrid
3.Estrella D. Alfon
4.
5.
6.
7.
8.
9.
10.
REGION VIII-EASTERN VISAYAS
1.Edith A. Angeles
2.Carlos A. Angeles
3.Ramon Escoda
4.
5.
6.
7.
8.
9.
10.
REGION XI-WESTERN MINDANAO
1.Alvarez Enriquez
2.
3.
4.
5.
6.
7.
8.
9.
10.
REGION X- NORTHERN MINDANAO
1. Miguel A. Bernard S.J.
2.
3.
4.
5.
6.
7.
8.
9.
10.
REGION XI- SOUTHERN MINDANAO
1.Leoncio P. Deriada
2.
3.
4.
5.
6.
7.
8.
9.
10.
REGION XII- CENTRAL MINDANAO
1.Radiomoda Mamitua Saber
2.Frank Laubach
3.Lacambra Ayalla III
4.
5.
6.
7.
8.
9.
10.
CAR-CORDILLERA ADMINISTRATIVE REGION
1.Amador T. Daguio
2.Consorcio Borje
3.Amador Daguio
4.
5.
6.
7.
8.
9.
10.
ARMM- AUTONOMOUS REGION OF MUSLIM MINDANAO
1.Kerima Polotan Tuvera
2.
3.
4.
5.
6.
7.
8.
9.
10.
NCR- NATIONAL CAPITAL REGION
1.Bienvenido N. Santos
2.Francisco Arcellana
3.Wilford Nolledo
4.Gilda Cordero Fernando
5.
6.
7.
8.
9.
10.
1.Virgillo R. Santos
2.Tita Lacambra Ayala
3.Andress Cristobal Cruz
4.Guillermo Castillo
5.
6.
7.
8.
9.
10.
REGION II -CAGAYAN VALLEY
1.Ines Taccad Cammayo
2.Fernando M. Maramag
3.Leona Florentino
4.Prof. Carolina A. Arceo
5.
6.
7.
8.
9.
10.
REGION III- CENTRAL LUZON
1.Francisco B. Icasiano
2.Angela Manalang Gloria
3.Rony V. Dias
4.Maximo D. Ramos
5.
6.
7.
8.
9.
10.
REGION IV- SOUTHERN TAGALOG
1.Pas Marquez Benitez
2.Pas M. Latorena
3.Maximo K. Kalaw
4. Horacio Dela costa s.S
5.N.V.M. Gonzales
6.
7.
8.
9.
10.
REGION V-BICOL
1.Luis G. Dato
2.Venancio Prietoziga
3.
4.
5.
6.
7.
8.
9.
10.
REGION VI-WESTERN VISAYAS
1.Dominador I. Illio
2.Morli Dharam
3.Antonio S. Gabila
4.
5.
6.
7.
8.
9.
10.
REGION VII-CENTRAL VISAYAS
1.Edith L. Tiempo
2.Renato E. Madrid
3.Estrella D. Alfon
4.
5.
6.
7.
8.
9.
10.
REGION VIII-EASTERN VISAYAS
1.Edith A. Angeles
2.Carlos A. Angeles
3.Ramon Escoda
4.
5.
6.
7.
8.
9.
10.
REGION XI-WESTERN MINDANAO
1.Alvarez Enriquez
2.
3.
4.
5.
6.
7.
8.
9.
10.
REGION X- NORTHERN MINDANAO
1. Miguel A. Bernard S.J.
2.
3.
4.
5.
6.
7.
8.
9.
10.
REGION XI- SOUTHERN MINDANAO
1.Leoncio P. Deriada
2.
3.
4.
5.
6.
7.
8.
9.
10.
REGION XII- CENTRAL MINDANAO
1.Radiomoda Mamitua Saber
2.Frank Laubach
3.Lacambra Ayalla III
4.
5.
6.
7.
8.
9.
10.
CAR-CORDILLERA ADMINISTRATIVE REGION
1.Amador T. Daguio
2.Consorcio Borje
3.Amador Daguio
4.
5.
6.
7.
8.
9.
10.
ARMM- AUTONOMOUS REGION OF MUSLIM MINDANAO
1.Kerima Polotan Tuvera
2.
3.
4.
5.
6.
7.
8.
9.
10.
NCR- NATIONAL CAPITAL REGION
1.Bienvenido N. Santos
2.Francisco Arcellana
3.Wilford Nolledo
4.Gilda Cordero Fernando
5.
6.
7.
8.
9.
10.
17.NCR (National Capital Region)
GEOGRAPHICAL AREA
Tagalog literature has been born, cradled, nourished and peaked into
fruition in the provinces of Southern Luzon, Central Luzon and the
present Metropolitan Manila or the National Capital Region.
Among
the Southern Tagalog provinces are Cavite, Batangas, Laguna, Quezon,
Aurora, Oriental Mindoro, Occidental Mindoro, Marinduque, Palawan and
some towns of Rizal province. In Central Luzon, there are three
provinces where Tagalog is predominantly used and these are the
provinces of Nueva Ecija, Bataan and Bulacan. Metro Manila is comprised
of cities composing the national capital region namely Manila, Quezon
City, Pasay City, Caloocan City, Mandaluyong City, Pasig City, Marikina
City, Muntinlupa City and suburban towns of Malabon, Navotas,
Valenzuela, Pateros and Taguig. Some parts of the provinces that are
not originally Tagalog cannot escape the onslaught of Tagalog language
and culture, like some parts of the Bicol region and Pampanga.
THE CRADLE OF CULTURE
Tagalog region is the birthplace of a rich tradition of Philippine culture in language, politics, economy and literature.
The
oldest university in the Philippines, University of Sto. Tomas is
located in Manila. The first printing press was established in
Manila. This gave way to the publication of the first book, Doctrina
Cristiana in xylography in 1593, written in Spanish and Tagalog
versions. The bible was first translated into Tagalog in Barlaan and
Josaphat in 1708 and 1712. The life of Christ in epic tradition known
popularly today as Pasyon was written in Tagalog by various writers like Gaspar Aquino de Belen and Fr. Mariano Pilapil.
The literary tradition in the Tagalog regions specially outstanding in the field of oral literature like bugtong(riddle),
proverbs, native songs. These oral literatures are always in poetic
forms, usually seven-syllabic rhymes, so Asian in form and perspective.
Considering
this rich and envigorating cultural matrix, it is not surprising that
it is the Tagalog region that was destined to be the birthplace of
historic men in Philippine politics, culture and literature that
includes Francisco Balagtas Baltazar, Jose Rizal, Andres Bonifacio,
Apolinario Mabini, Emilio Jacinto, Marcelo H. del Pilar, Jose P. Laurel,
Claro M. Recto, Amado V. Hernandez, Lope K. Santos, Lazaro Francisco,
Faustino Aguilar, Jose Corazon de Jesus, Alejandro Abadilla, Modesto de
Castro.
It
is not noticeable that such men are not only man of history that played
a great role in Philippine independence movement but men of letters as
well.
THE LITERARY TRADITION
It is the pens of these men that shaped the political consciousness of the Filipinos.
Balagtas
could be said to have voiced out the first concept of nationhood in
Philippine politics and literature in his epic poem, Florante at Laura.
Says Balagtas:
Sa loob at labas ng bayan kong sawi
Kaliluha'y siyang nangyayaring hari
Kagalinga't bait ay nilulugami
Ininis sa hukay ng dusa't pighati.
Kaliluha'y siyang nangyayaring hari
Kagalinga't bait ay nilulugami
Ininis sa hukay ng dusa't pighati.
In and out of my miserable country
Repression is the dominant king
Goodness and well-meant intention are suppressed
Doomed in the grave of sufferings and grief.
Repression is the dominant king
Goodness and well-meant intention are suppressed
Doomed in the grave of sufferings and grief.
Although
Balagtas used Albania as an allegory, the situations clearly spoke of
the Philippines. This epic poems of Balagtas had inspired a generation
of young writers of the period, like Marcelo H. del Pilar, who
spearheaded the Propaganda Movement in Europe and Jose Rizal, whose
novels, Noli Me Tangere and El Filibusterismo set the conflagration of
revolutionary spirit and movement.
While
Rizal was living in banishment in a far-flung town of Dapitan in
Mindanao island, a man of the masses, Andres Bonifacio founded the
Katipunan, a revolutionary organization that sought total independence
from the Spanish yoke.
Even
the revolutionary struggle of the people was guided by the light of
literature. Bonifacio and Emilio Jacinto, his close associate in the
revolutionary struggle were men of letters, both writing nationalist
essays and poems.
Jacinto
in his essay, "Liwanag at Dilim" (Light and Darkness), discoursed on
the spirituality of man's natural desire for freedom. On the other
hand, Bonifacio spoke of the dimension of love of country in his poem,
"Pag-ibig sa Tinibuang Lupa" (Love for the Native Land). He says:
Aling pag-ibig pa ang hihigit kaya
Sa pagkadalisay at pagkadakila
Gaya ng pag-ibig sa tinubuang lupa
Aling pag-ibig pa, wala na nga, wala.Which love can be more powerful
More pure and noble
Than the love for one's native land
Which other love, there is no such.
Sa pagkadalisay at pagkadakila
Gaya ng pag-ibig sa tinubuang lupa
Aling pag-ibig pa, wala na nga, wala.Which love can be more powerful
More pure and noble
Than the love for one's native land
Which other love, there is no such.
This
tradition of Tagalog literature has been bequeathed upon the national
consciousness of the Filipinos all over the Philippines. Manila being
the center of the country in all aspects of national life of the
Filipinos becomes the logical conduit of national consciousness
emanating from the literary legacy of the region's gifted minds.
During
the long period of Philippine subjugations by foreign dominations --
Spanish, American and Japanese -- vigorous literary traditions have been
nurtured.
In
the contemporary Philippine society, Tagalog literature is continuing
its role bequeathed upon it by historical development.
However, Tagalog literature now, more and more is given a new name -- Filipino literature. But this is another story.
IV. PHILIPPINE LITERATURE
PROSE
is a form of language which applies ordinary grammatical structure and natural flow of speech rather than rhythmic structure (as in traditional poetry). While there are critical debates on the construction of prose, its simplicity and loosely defined structure has led to its adoption for the majority of spoken dialogue, factual discourse as well as topical and fictional writing. It is commonly used, for example, in literature, newspaper, magazines, , broadcasting , film, history, philosophy, law and many other forms of communication.
TYPES OF PROSE
novel can be defined as an extended work of prose fiction. It derives from the Italian novella (“little new thing”), which was a short piece of prose. The novel has become an increasingly popular form of fiction since the early eighteenth century, though prose narratives were written long before then. The term denotes a prose narrative about characters and their actions in what is recognisably everyday life. This differentiates it from its immediate predecessor, the romance, which describes unrealistic adventures of supernatural heroes. The novel has developed various sub-genres:
historical novel takes its setting and some of the (chief) characters and events from history. It develops these elements with attention to the known facts and makes the historical events and issues important to the central narrative.
gothic novel became very popular from the second half of the eighteenth century onwards. With the aim to evoke chilling terror by exploiting mystery and a variety of horrors, the gothic novel is usually set in desolate landscapes, ruined abbeys, or medieval castles with dungeons, winding staircases and sliding panels. Heroes and heroines find themselves in gloomy atmospheres where they are confronted with supernatural forces, demonic powers and wicked tyrants
romance is a fictional narrative in prose or verse that represents a chivalric theme or relates improbable adventures of idealised characters in some remote or enchanted setting. It typically deploys monodimensional or static characters who are sharply discriminated as heroes or villains, masters or victims. The protagonist is often solitary and isolated from a social context, the plot emphasises adventure, and is often cast in the form of a quest for an ideal or the pursuit of an enemy
short-story is a piece of prose fiction marked by relative shortness and density, organised into a plot and with some kind of dénouement at the end. The plot may be comic, tragic, romantic, or satiric. It may be written in the mode of fantasy, realism or naturalism.
epistolary novel the narrative is conveyed entirely by an exchange of letters
Metafiction is a term given to fictional writing which self-consciously and systematically draws attention to its status as an artefact in order to pose questions about the relationship between fiction and reality. It concentrates on the phenomenological characteristics of fiction, and investigates into the quintessential nature of literary art by reflecting the process of narrating.
is a form of language which applies ordinary grammatical structure and natural flow of speech rather than rhythmic structure (as in traditional poetry). While there are critical debates on the construction of prose, its simplicity and loosely defined structure has led to its adoption for the majority of spoken dialogue, factual discourse as well as topical and fictional writing. It is commonly used, for example, in literature, newspaper, magazines, , broadcasting , film, history, philosophy, law and many other forms of communication.
TYPES OF PROSE
novel can be defined as an extended work of prose fiction. It derives from the Italian novella (“little new thing”), which was a short piece of prose. The novel has become an increasingly popular form of fiction since the early eighteenth century, though prose narratives were written long before then. The term denotes a prose narrative about characters and their actions in what is recognisably everyday life. This differentiates it from its immediate predecessor, the romance, which describes unrealistic adventures of supernatural heroes. The novel has developed various sub-genres:
historical novel takes its setting and some of the (chief) characters and events from history. It develops these elements with attention to the known facts and makes the historical events and issues important to the central narrative.
gothic novel became very popular from the second half of the eighteenth century onwards. With the aim to evoke chilling terror by exploiting mystery and a variety of horrors, the gothic novel is usually set in desolate landscapes, ruined abbeys, or medieval castles with dungeons, winding staircases and sliding panels. Heroes and heroines find themselves in gloomy atmospheres where they are confronted with supernatural forces, demonic powers and wicked tyrants
romance is a fictional narrative in prose or verse that represents a chivalric theme or relates improbable adventures of idealised characters in some remote or enchanted setting. It typically deploys monodimensional or static characters who are sharply discriminated as heroes or villains, masters or victims. The protagonist is often solitary and isolated from a social context, the plot emphasises adventure, and is often cast in the form of a quest for an ideal or the pursuit of an enemy
short-story is a piece of prose fiction marked by relative shortness and density, organised into a plot and with some kind of dénouement at the end. The plot may be comic, tragic, romantic, or satiric. It may be written in the mode of fantasy, realism or naturalism.
epistolary novel the narrative is conveyed entirely by an exchange of letters
Metafiction is a term given to fictional writing which self-consciously and systematically draws attention to its status as an artefact in order to pose questions about the relationship between fiction and reality. It concentrates on the phenomenological characteristics of fiction, and investigates into the quintessential nature of literary art by reflecting the process of narrating.
Tale
A tale is a kind of prose narrative that describes strange and
wonderful events in the form of somewhat bare summary. However, the main
character is not focused on or given due importance. In fact, the goal
or purpose of the tale is highlighted and given front seat rather than
the main protagonist himself. For example, in the tale English folk of
‘Jack and the Beanstalk’, the beanstalk and the giant are highlighted
instead of Jack’s personality.
Fable
A fable is a short allegorical tale emphasizing on a moral or any
principle of behavior. The characters of fables are usually animals that
portray like human beings, though they keep their animal traits intact.
The moral of these fables is highlighted towards the end of the story
in the form of a proverb and is generally enacted. The oldest fables
describe stories of why crows are black, or why different animals
display different characteristics, such as a sly fox, a dignified lion,
and so on. The earliest fables came from Greece and India, while the
oldest Western fables were those of Aesop.
IV. STUDENT OUTPUT
1. Gerasmia, Lynnette L.
2. Villagantol, Analiza
3. Gella, Kastine Irña
4. Malayas, Joanne Mae
5. Conception, Christine
6. Demadara, Gretchen
7. Ruhaida, Dalgan
8. Dizon,Nicah Marie
9. Marsangca, Sittie Haniyah
10. Luceño, Jo
11. Esmael, Fatmaila B.
14. Sobrevilla, Sharmaine
1. Gerasmia, Lynnette L.
2. Villagantol, Analiza
3. Gella, Kastine Irña
4. Malayas, Joanne Mae
5. Conception, Christine
6. Demadara, Gretchen
7. Ruhaida, Dalgan
8. Dizon,Nicah Marie
9. Marsangca, Sittie Haniyah
10. Luceño, Jo
11. Esmael, Fatmaila B.
14. Sobrevilla, Sharmaine
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